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March 27, 2009

Burke Museum Invites Indigenous Artists to Respond to Alaska-Yukon-Pacific Exposition in New Exhibit

A-Y-P: Indigenous Voices Reply, May 30 - Nov. 29, 2009

As Seattle commemorates the centennial of a world's fair that helped shape the region as it is today, a new Burke Museum exhibit will take a critical look at how indigenous peoples were represented at the fair.

In 1909, the Alaska-Yukon-Pacific Exposition (A-Y-P) celebrated the explosion of development in Washington State since the 1897 Yukon Gold Rush and showcased the resources of the region. Nearly four million visitors to the fair were exposed to representations of indigenous cultures from around the Pacific in ways that would seem abhorrent in 2009. Organizers of the A-Y-P did not have the same standards for cross-cultural understanding that prevail today. Indigenous communities were culturally exploited for entertainment and to promote Western capitalism across the Pacific.

A-Y-P: Indigenous Voices Reply opens May 30 at the Burke Museum. The exhibit will juxtapose historic objects and photographs from the 1909 fair with contemporary artwork by Native artists to explore how the representation and understanding of indigenous people and cultures has changed over 100 years.

Sixteen contemporary artists will be featured in A-Y-P: Indigenous Voices Reply. Featured artists include: photographer Matika Wilbur (Swinomish/Tulalip), stone carver Tony Ayala (Santa Barbara Chumash), mixed-media artist Philip John Charette (Yup'ik), weaver MaryLou Slaughter (Duwamish), multi-media artist Nick Galanin (Tlingit/Aleut), glass artist Preston Singletary (Tlingit/Filipino/European), multi-media artist Tanis S'eiltin (Tlingit), and multi-media artist David Neel (Kwagiutl).

Some of the artists featured in this exhibit drew inspiration from one or several of the objects held in the Burke's ethnology collection. Garrett Jackson, Tlingit artist, says that "the main inspiration for my works comes from the items my great-grandfather, Lt. George T. Emmons, collected for museums in the late 1800s and early 1900s [the Emmons collection that was exhibited in the Alaska Building at the A-Y-P was purchased after the fair as one of the Burke's founding ethnology collections]. I really enjoy studying the old pieces my ancestors made, and trying to capture the same feelings and traditions in my work."

According to Robin Wright, curator of Native American art at the Burke Museum, the intent of the 2009 exhibit is to create a bridge between contemporary indigenous communities and the Burke's collection of ethnographic objects from those communities. "The exhibit is an opportunity for Native people to use the Burke's collections and visibility to voice their sentiments on representation, resistance, reappropriation, and revival," says Wright.

A-Y-P: Indigenous Voices Reply was organized by the Burke Museum of Natural History and Culture. Major support for the exhibition has been provided by 4Culture, the Bill Holm Center for the Study of Northwest Coast Art, the Hugh and Jane Ferguson Foundation, John and Joyce Price, the Seattle Office of Arts and Culture Affairs, and the UW Office of the Provost. A-Y-P: Indigenous Voices Reply is part of a city-wide celebration of the centennial of the A-Y-P Exposition. For more about the 2009 A-Y-P Centennial, visit http://www.aype.org


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Poisoned, by Phillip Charette
Poisoned, by Phillip Charette
Photo by Andrew Whiteman