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November 29, 2006
Seattle This spring, the Burke Museum will present the first comprehensive exhibition of contemporary Northwest Coast Native art from the Burkes own collections, In the Spirit of the Ancestors, from Mar. 3, 2007 Sept. 3, 2007.Selected by two Burke Museum curators and two guest curators from more than 2,400 20th& 21st century pieces in the museums ethnology collection, this will be the first exhibition of the Burkes contemporary Northwest Coast collection that features a broad mix of media, including sculpture, weaving, paintings, and prints, together in one major show.
Drawing from significant collections donated by Arthur B. Steinman, Simon Ottenberg, Margaret Blackman and Ed Hall among others, the exhibit will feature nearly 100 works made within the last fifty years.The work of over 60 artists will be exhibited, including Art Thompson, Hyacinth Joe David, Ron Hilbert, Susan Point, Marvin Oliver, Manuel Salazar, Robert and Reg Davidson, Dorothy Grant, Isabel Rorick, Calvin Hunt, Beau Dick, Klatle-Bhi, Ken Mowatt and Clarissa Hudson.
Several major new pieces have been donated and acquired specifically for this exhibition, such as a six-panel pewter wall sculpture donated by Susan Point.
In the Spirit of the Ancestorswas curated by four key figures in Northwest Coast art scholarship and practice: Robin K. Wright, Bill Holm, Shaun Peterson (Qwalsius), and Susan Point.Wright is the Curator of Native American Art at the Burke Museum, and Director of the Bill Holm Center for the Study of Northwest Coast Art. Bill Holm, Burke Curator Emeritus, is recognized as a world expert in the field of Northwest Coast art.
Long established as a leader among contemporary Coast Salish artists, Musqueam artist Susan Point, from Vancouver, B.C., is known for her large scale, three dimensional works in a variety of media that reinterpret traditional Coast Salish art forms. Point has created numerous public art installations in Canada and the United States. Shaun Peterson (Qwalsius), a Puyallup/Tulalip carver and printmaker, is a rising star among contemporary Coast Salish artists. His public installations in the cities of Seattle and Tacoma, as well as installations for tribal communities have helped to make contemporary Native art relevant to the lives of Pacific Northwesterners.
This major new exhibit was conceived as a sequel to Bill Holms book, Spirit and Ancestor: A Century of Northwest Coast Art at the Burke, in which he selected and commented on 100 pieces in the Burkes collection. Following a similar format, In the Spirit of the Ancestors will present contemporary pieces, most of which have been made since the publication of Holms book in 1987.The new exhibit serves to increase understanding and appreciation of the vitality, artistry, and cultural significance of contemporary Northwest Coast art.Chosen by the curatorial team for a variety of reasons that will be illuminated in the show, this exhibit will demonstrate the strength of the Burke Museums role in contemporary Northwest Coast art.
The Burke Museum has a long history of commitment to the preservation, study, teaching, and display of Northwest Coast art and material cultures with its expansive archaeology and ethnology research collections. Dr. Wright, curator of Native American art at the Burke, comments that, The curators of In the Spirit of the Ancestors recognize that works of great artistry and innovation are being created today by contemporary Native artists. In the Spirit of the Ancestors brings this living art to the public, engendering a greater awareness of the people, the artistry, and cultures, past and present, that it represents.
In complement to this exhibit, the Burke will also host Our People, Our Land, Our Images, an exhibit of contemporary Native American photography, from Mar. 3, 2007 May 28, 2007. This traveling photography exhibit was organized by CN Gorman Museum, UC Davis.In the Spirit of the Ancestors and Our People, Our Land, Our Images work together to create a complex portrait of contemporary Native art in the Northwest Coast today.
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